The wing in Christopher Le Brun's proposal is a powerful image, not specific to a particular creature but symbolic of flight and movement. The disc behind it suggests a planet or moon-like form. The imagery reminds us of the strong Roman presence at Springhead - the winged messenger Mercury was the Roman god of both travellers and commerce; it was his duty to look after the roads and transport of goods between cities. Christopher is also referencing the imagery seen in the Kent landscape paintings by 19th century artist Samuel Palmer.

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